We all love buying new gear. Whether it’s hardware or software, the acquisition of new stuff is often exciting, but even more importantly, it should allow us to do our job more effectively. In this article, Russ Hughes talks about some of the tools which he wishes he’d had sooner.
PreSonus, the makers of Studio One, has announced Version 6.2, with new features and bug fixes. We have the details.
The sixth version of Studio One is upon us, with some new features that will interest both established user and newcomer alike. Three Experts give their verdict on this latest incarnation of PreSonus’ do-it-all DAW.
Following the release of Presonus Studio One 6, Russ, Brent, and Luke discuss its new features in an extended video. With plenty to get stuck into, the new version promises new audio plugins as well as a raft of new features.
For the uninitiated, dither exists to solve a distinctly digital problem. That is, how to resolve very low level sounds that happen beneath the lower limit of a system’s working range. Most will be familiar with dithering, but in the streaming era do we still need it? We investigate.
PreSonus, makers of Studio One and audio interfaces, has today announced two new additions to their Revelator range of audio interfaces, the io44 and Dynamic microphone. We have all the details.
Most DAWs offer us everything we could possibly ever need to produce world class mixes, but for the recording musician or producer, the process begins before we press record and after we hit export. Now you can have all those tools in one place.
PreSonus has today announced the availability of Studio One 5.5, the latest version of its recording and production software (DAW). We have all the details.
PreSonus has announced Studio One 5.4, which includes a host of new features but also includes full native support for Apple Silicon powered Mac computers. We’ve had a preview copy for some time and in this article we outline the new features and what difference Apple Silicon makes to a DAW previously coded for Intel.
This final part of our series on the Waves Abbey Road RS124 Compressor for Studio one Expert, Brent, concludes by looking at the Super-Fuse Drum Room Channel.
This is the third video in a four-part series about the Waves Abbey Road RS124 Compressor. Brent March focuses on the overhead track and shows us a neat trick exclusive to Studio One.
In this second video, Brent March focuses on the snare track in this video, showing us how to add more body, weight, and saturation to the snare without using another plug-in.
In this first video on using the Waves Abbey Road RS124 Compressor, Brent focuses on the kick; he uses the RS124 in cutter mode to retain the kick's transient. He also jumps through the Super-Fuse Circuit and the Studio Unit Type to demonstrate how the RS124 adds weight and body to a kick.
In this article for Studio One Expert, Brent March shows us how to use Studio One's Expander to create unique layered sounds in your music.
In this video, Marcus Huyskens explains why it's essential to separate the two disciplines of production and mixing, and details his basic approach to prepping a production in Studio One for Mixing.
In this video for Studio One Expert, Brent March shows you how to use a tried and tested method of adding low-end punch by augmenting his own kick drums using a test oscillator in Studio One.
PreSonus, the makers of Studio One, has announced Studio One v5.3. The update includes new features as well as bug fixes. We have the details.
In this video for Studio One Expert, Brent March shows us how he takes a Kalimba sample he has recorded and turns it into multiple virtual instruments Studio One's Sample One XT.
The good folks at PreSonus had a Father's Day Sale, giving a huge 50% off Ampire and Ampire High Density Packs, which finished on June 21st 2021.
In this extended video tutorial, Marcus Huyskens demonstrates three different approaches to using Manual Sample Replacement on Multi-track Drums in PreSonus Studio One 5.2.
In this final part of our series for Studio One Expert, Brent looks at the Waves CLA Guitar plugin. Brent shows how to use the clean and crunch modes effectively to add specific characteristics. Brent also discusses how compression and EQ can be used to bring more guitar into the mix.
This is the third video in a four-part series about the Waves CLA Signature Series Plug-ins. In this video, Brent March takes a look at the CLA Vocal Plug-in. Brent shows how to use the compression circuit, close reverb, and other features to polish modern vocals.
In the second of this series of videos, Brent March delves into the CLA Bass plug-in; he demonstrates the effect of the plug-in engaged and bypassed. He shows us how to best use the compression section and how to take advantage of the pitch effects.
This is the first in a four-part series with Brent March on the Waves CLA Signature Series plug-ins. Brent looks at all of the individual drum channels in this first video and uses the plug-ins on different inserts across each drum channel. Brent also demonstrates how beginners can get great sounding drums Waves CLA Signature Series.
PreSonus has announced that all currently supported hardware now works natively with Apple M1 powered Macs. PreSonus has also announced that Studio One 5.2 is compatible with M1 Macs running Rosetta.
PreSonus Studio One 5.2 has been announced with a raft of new features and updates. Check out our extended video that tell you everything you need to know about Studio One 5.2
In Part 3 of our series on Podcast Editing with Waves Content Creator Toolkit, Brent March focuses on the Playlist Rider. Brent walks us through how the plugin - when applied to the master channel - can be used in your content to ensure that levels stay consistent. Ideal if your a podcaster, live streamer, video creator or live sound engineer dealing with multiple audio sources.
In Part 2 of this Podcast Editing series for Production Expert, Brent focuses on the VoiceCentric from Waves’ Content Creator Tool Kit.
In the final part of this series - Mixing With Waves CLA EPIC - Brent looks at mixing Guitars, including rhythm guitars with lots of low-end content, and then more textural layered guitars.
In this video from Marcus Huyskens, he shows us how to create a basic Vocal Tracking Template that can be used with the Import Song Data feature - or as a Song Template that can be loaded when creating new Songs.